Recently I spent a few days photographing the southern Oregon coast with a day or so spent in the Redwoods in northern Cali. It was a weekend full of incredible light for both sunrises and sunsets. Had a great time with a couple friends and we all came away with some great shots. Here’s the collection I was able to capture.
Click on the images to view them in a larger lightbox view!
A couple weeks ago I went up to Pacific City and Cape Kiwanda with a couple buddies (Cody Cha and Majeed Badizadegan) to photograph the sunset and the high surf at the tail end of a storm. The night consisted of some great storm clouds, awesome color, and yes, the wave action was quite good as well.
The evening started off with a little rain as we were just getting in a place we could photograph. Not to be deterred as we always go prepared with rain gear and covers for our equipment, we set up to shoot what is probably the most popular spot at Cape Kiwanda. It wasn’t long that the rain let up and Cody pointed out a rainbow starting to form to the east!
In roughly the same spot with a much more common composition, the high water created some great contrast and movement on the sandstone.
After getting our fill of shots down here, we headed up to the tip of the cape where there’s a great bowl in the rocks that the waves crash up and flow back out to sea. Another popular spot as you can get the big haystack rock in the distance as part of your composition.
This next shot is unprocessed and straight out of the camera just to show what the area we were shooting looked like. This is another popular spot on the cape that photographers love to shoot.
It’s hard to get the perspective here, but that water coming up the rocks was a good distance away from us, and we are roughly 50′-60′ above the ocean. With some reasonably sized waves and the color setting in nicely, we setup to shoot and we were all safe and thought to be in a good place.
After a few minutes we were unfortunate enough to have this happen……
This huge wave came flying up at us and it was well above our heads. The force of the wave knocked me to the ground including my tripod with the camera and lens on it of course. The only reason this shot happened was I was already set up and firing a series of shots. The gentlemen you see in the picture was just fine, just got a little wet, but he was very lucky the wave was not heading directly at him like it was to us.
Majeed didn’t have his backpack on his back and it was nearly washed back out to sea with the water. Luckily the guy out here was able to grab it before it made it all the way out. After a few moments and realizing we were all okay, we quickly headed to a much safer location. Had a few nervous laughs as we settled back down.
We were all okay, just rather soaked from the salt water, but some of our equipment was not so fortunate. Majeed lost his phone and had to get it replaced, but his camera equipment was alright after drying out for a couple days. Thank goodness for the expensive gear being okay!
Just Friday (the 27th), 3 days before this occurred I had purchased a new Nikon D7100 and an LG G2 phone. Both of these ended up with fatal wounds 🙁 The phone does not have a removable battery and when I pulled it out of my pocket, the LED notification light was flickering and acting like it was shorting out, which I believe it really was. The phone never came back to life but was insured and a replacement should be here by the time this post goes live.
The D7100 I was thinking would be alright after drying out for a couple days. I pulled the battery immediately and as soon as I got it home, I put it in front of a heater. After a couple days I put a battery in and attempted to turn it on with no success. Being super bummed about that I took a closer look and realized there was some separation in parts of the body that would allow for water to go pretty much directly inside.
In addition to that, I had my wide angle lens on the camera, and I do not yet know if that is alright. It makes some interesting clicking noises when turning the zoom ring, but it does move as before, as does the focus ring. Without a camera to test it on though, I’m not sure if it works or not. Here’s to hoping it does!
Here’s a couple shots of the camera’s damage which is now better than it was after I pushed it back together some.
Even after growing up on the coast, and fully understanding and respecting the power of the ocean and it’s dangers, it can still throw some unexpected danger your way. Everyone made it out safely and that is the most important thing, but it was also an expensive reminder of the dangers that can come from nowhere.
My friend Majeed made a blog post the other day about some Landscape Photography Safety Tips. Be sure to check it out by clicking the link! It’s well worth the read and some great advice to heed before your next outing.
Today I wanted to try something a little different than usual for me. I’ve recorded a screencast of my editing on one of my favorite photos. I’ve also included a link to download the files I started with straight out of camera. This is a bit longer of a post than usual, but it goes more in depth into how this specific image was created, the software I used and the effects within those pieces of software. The video itself is about 7m 27s long from beginning to end, with a more detailed description written out here in the post.
All of these programs have free trials that you can test if you do not own them. I highly recommend every piece of it, but I would not be able to live without Lightroom and Color Efex.
I’ve included the 3 original files that I start with at the beginning of the video if you would like to download them and follow along or just do your own edit and see what you come up with. These are in the DNG format and straight out of camera. Click the link here to download the zip file containing the 3 raw images. http://db.tt/i9MqE4YB
Creating the HDR image…
My program of choice for creating an HDR is Nik HDR Efex Pro2. To get things started, I selected the 3 exposures I was wanting to use and exported them into HDR Efex. For some reason, to send the images over into HDR Efex, you need to open the “Export to” and then choose HDR Efex as opposed to most other plugins where you select from the “Edit In” menu.
The first window you see pop up is where you select the image you want as a reference image for ghost removal. You can choose to not have any ghost removal, or in increments of 20%. Knowing that I wanted to have the water from the longest exposure visible, I chose the right hand picture from the top of the window, and you see the preview change. You can adjust the amount of ghosting until you’re happy with the look. In this case, I left it at 100%. The slider below the preview image adjusts the exposure of the preview only, this will not affect the image creation at all. On this same window, you can correct for Chromatic Aberration and the alignment of the images.
After you select the ghosting options you want, you click the “Create HDR” button on the bottom right and your HDR is created in a short amount of time and you are taken into the main part of the program to do some stylizing and other options. On the left pane you can select from a good variety of presets in a few different categories and you’ll see a small thumbnail preview of the effect. Feel free to play around with these all you want and you can always reset back to the default blend by selecting the Default preset. Once you do a few images, you’ll get a feel for what presets you like and you will be able to select them rather quickly. I usually pick between 3 or so options, and rarely will I pick a different one.
My top 3 choices tend to be
Deep 2 (used for this image)
Of course you have the large preview of the image in the center, and many more options over to the right. On the right you have a lot of control over nearly any element of the image you would like. The preset you choose on the left will adjust the options over on the right, but you can override each option if you wish. For my workflow, I normally just play around with the Depth, Detail and Drama under the HDR Method portion. I don’t do anything with the color adjustments as that comes next in a separate plugin. When I’m happy with the look and tonal range of the highlights and shadows, I save my image and back to Lightroom it goes as you see below.
This is where most of the major changes happen to the look and feel of the image. Another one of my go-to plugins is Nik Color Efex Pro 4. Nearly every image I create, whether it be a landscape or a portrait makes a run through this software. This is another plugin that can have such drastic effects on your image. It’s very powerful for full image adjustments or localized adjustments using what Nik calls U-point technology.
On the left pane you’ll find the different effects you can use. It can look a bit overwhelming at first since there are a lot of options, and when selecting one, you often see a huge change to your image. This will take some playing around with and seeing which effects you like. You’ll quickly find your favorites after using it a couple of times.
My favorite adjustments are easily the following.
Contrast Color Range
You can see major changes with each of the effects during the video. You’re not always going to want such drastic changes, nor are you going to want every effect across the entire image. This is where the right pane comes in.
On this pane, you adjust the different options for each effect you choose. For Brilliance/Warmth, you see a Saturation, Warmth and Perceptual Saturation slider. Saturation does exactly what you’d expect and simply increases the saturation of your colors. The Warmth is your temperature and makes it warmer or cooler. I tend to be drawn more towards bright, warm vibrant colors so I typically increase the warmth a tad as you see in the video.
Perceptual Saturation was introduced in version 4 of Color Efex pro. This isn’t a simple saturation booster as it works differently and is best left described by Nik software themselves.
Perceptual Saturation is a new setting in the Brilliance/Warmth filter in Color Efex Pro 4. This is different from the Saturation filter in that it doesn’t increase the overall saturation of the image. Instead, it affects the hues and their complimentary color in the surrounding colors to increase the perception of additional saturation.
You will need to find a look that you’re happy with, as these items are very subjective. I like the look across the entire image so I didn’t use any control points (selective adjustments) for this effect. Once you’re happy with that particular filter, you click the “Add Filter” button and you’re then able to select the next effect/filter you want. If I had to pick just one effect to use, it would be this one and I really love the way it brings out the greens and oranges on the rocks more than anything else.
Pro Tip – Change your effect sliders from one extreme to another a couple of times so you can see the entire range of what it’s doing. Then dial it back to where you’re comfortable.
The next filter in this image I used was Polarization. This does what most would expect and really affects the blue skies more than other parts of the image. It does have subtle effects on other parts if you watch closely, but most drastically in the sky. I usually like the way this effect changes my image, so I leave this one effecting the entire image as well. There are some subtle changes here and nothing to big, but I think it adds to the photo.
Contrast Color Range, like many others can change the look and feel of your photo very easily. Simply sliding the top Color slider back and forth, you can see how it changes. This filter is fun to play around with and can create some awesome effects and changes when balanced correctly. Spend some time and adjust all 4 of the sliders available to you to gain the look you’re after. Again, I like the look this has across the entire image.
Detail Extractor… some of what this filter does can be achieved with tone mapping in your HDR creation, but I prefer to use this in Color Efex instead. It’s more comfortable for me and easier to select specific parts of the image for it. As I do with most of the effects I apply, I will change the slider from one extreme to another. While doing so, looking closely at different parts of the image and not just the image as a whole. I’ve never used this effect across the entire image. You will see that I use the Control Points (U-point technology) to apply this effect in specific areas. To add a control point, select the + sign that sits next to a Control point icon below your effect sliders. Then drop the pin on the part of the image you want to add the effect to.
With this image, I used 2 control points. One on the top of the rock in the foreground and one around the sun. You can adjust the size of the affected area and the opacity of that particular control point. I enjoyed the effect at stronger levels on the rock, but not as much on the sun. You can see the sun gets some weird contrast in the colors there, so I was able to adjust that by changing the opacity on that control point only.
Pro Tip – Uncheck the boxes for the effects to see the image with/without that effect applied. This is great to do on a final pass to make sure you’re happy with the edits.
Lastly, I used the Skylight Filter. This filter isn’t always used, but I did like what it did to the colors and glow on the rock in the foreground. it was a bit to much for my liking in the sky, so to have only the rock (and nearby surrounding area) affected, I used another Control Point.
You can adjust any of the filters again by simply clicking on them on the right pane. Now that we’re done in Color Efex, we save the image and it gets imported back into Lightroom for any further adjustments you may want to do.
Below is the image that we just finished up and sent back into Lightroom.
You may be able to see some dust spots in the sky, and what looks to be water drops on the filter that I was using when taking this shot. The water is apparent on the shadowy part of the rock on the right side of the frame. There is also a small piece of white shell on the lower right. The next step is to remove these items that I don’t want in the frame, and for that I kick the image over into PhotoShop.
These edits are very simple on this image and I just use the Healing Brush to click and remove those spots. Adjust the brush size for the water spots, take a final glance over the image, then close Photoshop and save it back into Lightroom again.
After looking at the image for a few minutes during this process, I could tell that I wanted the sky to be just slightly more orange/red to better match the color on the front rock. Open up the Develop module in Lightroom, scroll down to the HSL/Color/ B&W, select HSL (should be selected by default) and now I can adjust the Hue of specific colors. To pick certain colors that your mouse hovers over, click on the little circle/pin at the top left of that menu.
Then move your mouse over to the area that contains the color you want to adjust. You will see the colors on the right highlighting as your mouse passes over them and when you have the one want highlighted, click with your mouse and drag up or down to adjust the hue. This will adjust the hue of that color across your entire image. I wasn’t going for a big change, just a tad adjustment. Only thing left was to lower the exposure just a tad and then level out the horizon ever so slightly until I felt I was finished and ready to export the image for sharing.
Here is our final image after all of the editing! This one you can click on to view a larger view of it.
I hope you’ve enjoyed reading and watching the process I went through on editing this image. I am really happy with this and is one of my personal favorites. Not everyone will like it and that’s perfectly okay! We all have different tastes and I enjoy seeing how other people create their photos, even if I see the image going in a different direction. That’s the beautiful thing about Art, it’s all subjective and we create to fit what we see in our own minds.
I’d love to hear what you think about the image itself and my process. Better yet, if you downloaded the files and followed along or created your own version, post a link so I can check it out!
I’ve been photographing for a couple years now, and since that time I have been looking at everything with a completely new set of eyes. Naturally, people want to capture these grand, epic landscapes or portraits in exotic locations. I am certainly one of those people as well. It’s taken me quite some time now, but getting out and exploring closer to home is still just as interesting as exploring new places. It all depends on your mental eyes approach to your surroundings.
All of the photo’s in this post are within a few minutes drive from my home. The photo at the top includes a very iconic bridge in Newport, the Yaquina Bay Bridge. Years ago there was talk and movements to building a new larger bridge to increase traffic flow. It ultimately got turned down, and is now constantly under repair to maintain it’s historic stature. There is no shortage of pictures containing this bridge in the world. I’ve got quite a few myself where the bridge is the sole focus of the image. Wanting to try something different, this sign for the public fishing pier is so obvious, that I never considered it. While walking around one day, I decided “what the heck, lets try it”.
Got my tripod low, composed the shot with the bridge in the background, and it has turned out to be my favorite shot containing this bridge, and it’s not the sole subject in the photo as so often seen, like the photo below. Sure, the image may be beautiful to some, but what’s so interesting about it that you haven’t seen before? Nothing!
This boat here has been along side the highway about 3 miles from home forever. I remember seeing it when I was a kid, and just simply thinking, “what an odd place to park a boat.” To this day, I still don’t know why it’s there or who it belongs to. I have driven by this boat thousands of times. Every time I drive into Newport and back home, I pass by it twice. Took me quite some time to decide to stop and photograph this boat, even though it’s been there for such a long time. Who knows when this boat may fall apart, be moved, or even vandalized completely changing what has long been an after thought for me. Now, I have some great shots that if anything were to happen, I can always look back on.
If you follow me on social media, you will have recently seen this picture I got (above). This is at a popular state park, well known for it’s flat, boring ol’ beach. There is no shortage of just sand, and it certainly makes for a great family outing. However, that’s not very interesting to someone who lives just a few miles away. We see that all day every day. What’s interesting about this park is, that if you walk south instead of the usual north, you’ll run into this beautiful area. An interesting tidbit, these rocks are usually covered by sand during the summer, and only exposed during the winter. If we have had a stormy winter, there are even more rocks revealed. Put these rocks in your scene with the vibrant colors, include the famous sunsets as just a part, and you’ve got a whole new look than what is usually found.
Lastly, the photograph below is from another very popular spot, Seal Rock. This tiny little town has some gorgeous rocky landscapes that provide for consistently great photographs. I drive by this place twice a day for work, and shoot here a lot. It’s easy to capture a beautiful landscape, but it’s a little more difficult to capture something new in such a highly photographed area. I went exploring and walking around in different areas that I don’t normally walk through trying to find a different vantage point. That is when I found this small little overlook that provided a great view of the setting sun, the ocean below, a little bit of the famous Seal Rock itself, while providing some new elements that are much more prominent in the frame.
This post isn’t to simply tell you about what I’ve found or show off my images. The goal is to help inspire you get out and explore closer to home and see what new interesting places and things you find. Whether you shoot landscapes, architecture or even people, I guarantee you’ll be able to find A LOT of new and inspiring subjects to shoot.
Check out some of your favorite places as a kid during different seasons, you may find a completely different scene different times of the year. I certainly found one I wasn’t aware of. Go explore with different weather conditions. Everyone loves a beautiful sunset, but what’s so interesting when you see a million of those every day? Go shoot the same place when it’s snowing, raining, cloudy, you never know what amazing stuff you will run across. When it comes to objects, capture them, before they are gone. You just don’t know how long things will be around, and that can include major structures like a bridge.
Who knows, maybe you’ll capture a historic moment that will live on well beyond your own years, all because you decided to take a closer look at exploring close to home.
Let me know your own thoughts on this subject. Feel free to link to your own photo’s and interesting things that you’ve found close to home that you may not have noticed or appreciated before. What inspires you to go out and explore close to home?
This photo was taken back in April during a pretty big rainy spell we had. It was nearing the end as you can see with the clouds breaking a bit in the background. The rain visible up front is what drew my attention to this particular spot. During the winter, this type of scene is not uncommon as we get a lot of rain, and some incredible clouds that often break nearing the sunset hours creating some fantastic drama in the sky. It doesn’t always work out like that, and in this case it was one of those times. Still provided some great pictures, but never did quite break enough for my liking.
In order to capture the background, rain and foreground the way I wanted to, I shot a 3 bracket exposure with 2 stops between each capture. I processed this image using NIk HDR Efex Pro2 and Lightroom 4.
I started with some of the presets built into Nik Software and then tweaked the options for a look closer to what I was going for. Started out with the Deep2 preset, and then added some custom control points to adjust the exposure, contrast, saturation in very specific locations. After that I added a little sharpness and noise reduction in Lightroom.